![]() ![]() When an indeterminate number of articulations is desired, usually on the same pitch, the effect of rushing or pulling back is more important than counting the notes. Though this has become a relatively common notational device, it will not be familiar to all players adding a note of explanation is recommended at the first usage and in the performance notes. Shown with a straight primary beam and one or two diagonal secondary beams (respectively implying an approximation of sixteenth notes or thirty-seconds at the fastest moment), the fanning out of beams shows acceleration and contraction shows deceleration. Cross-bar beaming is not uncommon in solo music but adds unnecessary difficulties to large ensemble writing.įeathered Beaming shows a gradual change in the speed of notes. Articulations alone can serve this purpose. A common error is beaming to show phrasing instead of meter. This breaks up multi-measure rests into un-musical divisions.ĪLSO: It is acceptable in large ensemble scores to place a bar number below every bar (not in the parts, though).īeaming Reinforces Meter. WARNING: Never use the system of placing bar numbers every 5 or 10 bars. After a part is edited and formatted, go through it once, adding bar numbers where appropriate.
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